discodelic white 7 inch vinyl.

black 7 inch vinyl.

gatefold lp (black vinyl) incl. printed inner sleeve and protection sleeve

rock

very excited to release a special artist full of positive energy, tini! hats off to her for having such a beautiful and long lasting career that is still going strong. so strong that she now found time for her studio. therefore we are happy to present to you her first full ep. a record that is full of character, just as you would expect from her

metalcore, transparent curacao blue vinyl

ltd. col. lp: (black & white marble vinyl)

multicolour splattered vinyl

ltd. col. lp: (silver nugget vinyl), das neue album der britischen metalcore-Überflieger!

ltd coloured vinyl

electronic journey

decks tip

originally released in 1985 by the nm band. pressed on 140 g vinyl

the history of female punk, compiled by vivien goldman.

rock

rock, clear vinyl

punk like electro ... raw and dirty

incl previously unreleased full version

metal

30th anniversary 4 lp box set, containing all 4 ace of base studio albums on green, red, blue and yellow 180 gram vinyl.

limited edition of 1000 copies on translucent yellow vinyl.

3rd album

from 80s/90s dark wave to industrial

cooked up by label head and bass player, chris lujan, specifically for austin, tx guitar hero, nick diaz, the bullies get right down to business with some hard-hitting, funky, soulful blues a la albert king on stax with a heavy shot of james brown. joined by lugnut brand stalwarts, joe baer magnant on rhythm guitar, michael reed on drums, and chris hazelton, out of kansas city, laying in some tasty hammond organ, bringing the whole thing home.

zwei r&b-klassiker aus den 1960ern back-to-back auf einer 7 inch

ltd nice price deal - culprit favourite and nyc wonder m a n i k returns with his second release for the label with >she watches me<, featuring a choice remix from the revenge.
few producers in underground dance music have had as prolifically dense an output as chris manik (m a n i k) over the last two years. he joins the-likes-of maya jane coles, maceo plex and subb-an, as an artist who seem to have unnerving quality control, making every one of their tracks count. no wonder then, that culprit was delighted for m a n i k to return for his second record on the label, and his first full original release since the acclaimed lp for ovum earlier this year. culprit scored another coup when m a n i k, who prefers for his original music to stand alone, agreed to have >she watches me< be remixed. the legendary graeme clark aka the revenge was a fitting choice for this rare occasion.

two rare cuts from 1969, unearthed by everland.

solo output by new york artist keke hunt.

produced by felipe duque & daniel hartl , mastered and cut by tim xavier at , manmade mastering berlin , artwork by maximilian mauracher , vienna 2018

als doldrums wird das unter seemaennern gefuerchtete gebiet rund um den aequator bezeichnet, in dem kaum ein wind weht, in dem es schwül ist und in dem unvermittelt gewaltige unwetter ausbrechen koennen.

the ocean is closed is a collaboration of music ensemble zeitkratzer with performance group she she pop.
play – according to the cultural historian johan huizinga – is a free activity carried out within certain fixed boundaries in time and space according to voluntary, but necessarily binding rules. it has no goal outside itself and is accompanied by a feeling of excitement and joy. it creates social alliances that for their part often surround themselves in a secret or set themselves off from the everyday world by means of disguise.
in the ocean is closed the “modern composition super group” (the wire) zeitkratzer and the performance collective she she pop observe each other across the limits of their own categories. they look in fascination at their “exotic“ colleagues. outside eyes and ears are interested in different things, ask the right wrong questions, misunderstand the agreements and breach basic laws.
she she pop and zeitkratzer play a concert: secret, order and ocean. they celebrate music and play per se.

lillygood party ! label is very proud to put out the volume 2 with these two attias versions unreleased before in a 12- format and officially licenced directly from the artists. already played by a few international djs, we are definitely confident that this new imprint is promising with great quality for music lovers and vinyl collectors.on the a side we have an early uk vocal house tune produced by the she project outfit and that came out only on an album in 1991. never released on a 12 inch before -mainsqueeze - edit by alex is longer than the original and more -dancefloor- orientated with extended parts and an amazing mastering to feel comfortable to play out and loud. on the b side you will find an incredible instrumental soulful deep house track from 1991 produced by t tauri new york duo. extended from the original tapes and mixed with unreleased versions , stéphane attias version is a 9min 21 extended dancefloor journey into the deepness of new york early house music sounds . these two great soulful track will definitely find place in any dj box because its really really good!

sdx is the producer alias of our resident dj beni, who delivered finest detroit techno for our catalogue number 008. catalogue number 009 comes with special remixes by legend rolando, known from labels like ostgut ton, underground resistance or deslin & max durante, known from sonig groove & diffuse reality. the original track the day she asks for forgiveness is a slowly building percussive 808 banger, built around a short vocal sample. rolando comes with a special minimalistic dj tool track. we are sure this remix will find place in lots of dj sets. max durante comes with a straight forward techno remix in his best own style. the third and last track of the record is a special bonus breakbeat track made by sdx himself. clitchy sounds and a special mood will bring you directly into another dimension. be prepared

dj support from darky sky, youandewan, san soda, urulu, chaos in the cbd, andy hart, mic newman
mculo s latest asks you to do a double take. in the second release for his homegrown roots by the oder imprint, i caught a glance, a first listen to the ep s a-side introduces a dancefloor-centric house number punctuated by the loop of a somehow ceremonious melodic riff. listen again and it lures you in with hypnotic atmospheres and valleys of endless synth. the b-side gets deeper still, wasting no time in putting forth stronger basslines and traces of growling lows. a second listen offers a more pastoral diffusion as you pick up on the soft drums and pads, classic groove, and a climate that comes full circle, recalling the a-side s easy ambiance